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Necrophobic! Dead to All! PDF Print Email
Written by Sameerah   
Sunday, 23 August 2009 06:31

Of the many genres of Metal, I think Black Metal may be one of the hardest to do consistently well. One of the things that always impresses me about a good Black Metal band is their ability to conjure up and maintain the kind of ferocity that the music demands. And when a band takes on the moniker Satanic Black Metal, things become even more intense. As you wade through the muck to sort out who is just shouting Satan for shock value and who picks up the dark arts as a way of life. The thing that separates the dark hordes from the posers is the ability to use Satanism not just for shock value, but as a way to encourage the listener to cast off shackles of organized religion and embrace free thought even if it is only for a moment. Not just the glorification of evil, even though that's always fun.Sothis , Woe and the sorely missed Dissection are bands that immediately come to mind when I think of Black Metal at its best. Now I can happily addNecrophobic to that list. Their new album Death to All is nothing short of brilliant.They are unapologetic and brutal as they expound their view of the world. The music is their way of connecting to this world and the worlds beyond. Yet they don't use it the scare the masses, well not intentionally anyway. Its a declaration of who they are, the listener can either run from it or embrace. But no matter what you wont be able to ignore it. I've recently had the pleasure to talk guitarist Sebastian Ramstedt about Death to All, Satanism and all manner of things Metal. Enjoy

 


Your music is full of Satanic imagery. Are you all practicing Satanists?

 

Sebastian: In the bible Satan is the one who questions the authority. He chooses to go his own way even if that means there will be blood, both his own and others. Even if I’m not a Christian or Christian Satanist I support the way of the Devil fully. To me It’s not a matter if God exists as a physical person/power or not. As long as a majority of the people on earth live by the rules of religion God’s message will rule. In these terms I will stand proud as a Satanist and fight the ones following “God”. Practicing I guess you mean participating in magic rituals. In these matters I think it’s a bit narrow minded to concentrate on Satan. I practice dark magic to gain knowledge and power. To me it’s a free zone from all of the world religions and there’s more interesting things to explore than just Satan. I don’t practice magic to fight “God” even if the outcome of rituals can strengthen your ability to fight religion in your physical life. 

 

There are bands out there that use Satanism as a gimmick. Do you think using Satanism as a toy hurts bands that want to put out music that revels in darkness?

 

Sebastian: This is very interesting. Writing music is for me purely ritual art. I go deep into myself to find the inspiration to write both music and lyrics. Even the design and concept of the whole product that is the album is something that reflect your thoughts and beliefs. Bands going through all of this without actually supporting the message is pretty dumb. If you have the channel to say something and you waste it on spreading words you don’t believe in then I think you missed the point. But, performing live is another thing. The audience is mainly there to be entertained. This rhymes bad with the message of serious Satanism. If you want to make a change then you don’t gather a bunch of drunkslamdancing guys and try to spread the message. Live performances must be seen as self developing rituals and can at best make the audience feel that they are a part of something bigger. Therefore I don’t think bands using Satanism as a toy hurts us. Satanism is strong within but powerless as an commercial product. Bands faking It makes us look more serious though.

 

I've run into a few bands over the years that write their music to be used with a duel purpose putting out kick ass Black Metal and use during Black Magic. When you're writing do you come to the process with any kind of set agenda?

 

Sebastian: No. The actual writing is the ritual. The outcome is a bonus that we choose to share with the audience. They can use it as they want. I don’t care.

 

The cover art for Death to All is brilliant. The image of Pan sitting on high over the masses is stunning. Its the kind of picture that seems to be a part of a larger story. Whats the story behind the cover art? Who did you line up to create the cover?

 

Sebastian: The cover is made by Erik Danielsson of Watain. We wanted an image of the Dark lord summoning the forces before world annihilation. We wanted to use human soldiers and concrete instead of the usual “Tolkien” environment withorchs and forests. This is now, the war is now and we wanted the listener to get the feeling of being a part of this. Not illustrating some ancient battle before time as we know it. Erik did a great job.

 

The title track, Death to All, is broken into 3 parts. Almost like an opera. Are these songs going to be used as part of a greater project down the road? Why did you decide to break that song

 

Sebastian: The intro is actually just another version of the outro. I made “..and jesus wept” first but thought it sounded to weak and harmonic. I recorded both versions and talk with my friend  Necro (Pest) about which version to use. He thought I should use both. Normally this is not the way Necrophobic work with long progressive songs so I had to come up with an idea. Thinking of it as a concept in three acts made it possible to keep all the riffs and still stay within the frames I like to work with. This also gives us the opportunity to only perform a part of it live. The whole act “death to all” will be hard to make justice for live but the mid “Triumph of the Horned” will be great live.

 

La Satisima Muerete, is a great song. If my crappy Spanish is right it translates to The Death of Satanism. Do you Satanism or Black Metal as you see it taking a turn for the worse?

 

Sebastian: Funny how everyone gets this title wrong. It’s “la SANTISIMA muerte”. HOLY Death. Something they celebrate in Mexico for gaining succes and wealth. The thought of Death as something good is taken away from Christianity as it seem to negative but it’s still celebrated in Mexico. Tobias started to work on this lyrics after a week of dark rituals in Mexico City last year.

 

For Those Who Stayed Satanic is another great track. What was going on with you as a band to inspire such of whole hearted thank you to your fans?

 

Sebastian: It’s rather a thank to the bands we like staying true to their roots but of course also a to all the people in the metal scene not giving up. I don’t know where Tobias got the inspiration for this but I guess he started to think about how many persons that actually have left the scene since the late 80’s and thought that the ones left deserved some kind of applaud.

 

Are there any plans to tour with Death to All?

 

Sebastian: Yeah of course. We are booking gigs right now. For sure Europe will be covered but hopefully we will come abroad.

 

How would you describe what you want to accomplish with your music?

 

Sebastian: Turn it around. Music is what we accomplish.

 

Anything you want to add before we wrap?

 

Sebastian: Death to all!
 

Last Updated ( Wednesday, 30 November -1 01:00 )
 
Gultch PDF Print Email
Written by Sameerah   
Thursday, 06 August 2009 07:41
When I first heard Gulch's Uphill Both Ways I was first struck by how heavy the album is. Falling into a deep groove of classic rock beats and blazing riffs. Coated by the combative growls of a grizzly bear. Is fucking brilliant. The longer I listened it became obvious that there is so much more to Gulch than just riffs and growls. Their lyrics range from anger toredemption. Adding a touch of sadness to the brutality in some places. I got to have a chat with vocalist, lyricist and all around bad ass Duane Book. To pick his brain on the state of the music business, the future of album art. And the eternal struggle to balance art and family.
 
You've been the scene for a long time do you think that the changes in the music industry have changed metal for better or for worse?
 
It's all in how you look at it I suppose.The Internet has opened the entire world to you,but it's done the same for a million other bands as well...which is to say that the competition to get noticed is pretty damned intense.You'd better be able to deliver the goods.
 
Sadly there seems to come a point in most musical genres where things can get a bit repetitive. Do you find there is a lot of pressure to fit into the mold that's hot right now? How have you managed to keep from getting stuffed into those boxes?
 
To be truthful,I don't really pay attention to “what's hot”-hell, I rarely listen to very much new stuff at all.We just do what we do and hope that folks “get it”. We aren't out to reinvent the wheel or keep up with the Jones'-we just want to write good songs.
 
Does it ever become difficult to juggle being a working musician with family obligations?
 
Hell yes it's hard,but like the cliche goes “Anything Worth Having Is Worth Working For”-it holds true.Family is ALWAYS the first priority and we are all fortunate enough to have loved ones that support what we do.
 
With music becoming increasingly digital it seems like album art may become an extinct concept. Do think that visual art will be able to maintain its importance in music?
 
 I sure hope so. I grew up buying records.The artwork was a big deal,then compact discs came around and the art just got smaller(a huge disappointment).Now we are at the point where we have a thumbnail image to represent the album...and people just accept it.What a joke!Paying the same money for less.I want something tangible.I want the booklet and the artwork please.
 
Do you think the wave of smaller and digital labels are more helpful to bands than the big labels are?
 
 It's all about reach really.The smaller labels obviously have a harder time fiscally the the bigger labels do.However,the underdog comes out on top as well occasionally to don't they?
 
A big theme of Uphill Both Ways seems to be reconciling the past with the future. What kind of message were you trying to get out when writing the album?
 
It seemed for a while that we were in a constant uphill battle to get the record done.Between line-up changes,surgeries,babies,jobs,money etc.etc. It was always something.Fortunately we have great families and friends that helped make it all possible.
 
When you go into the writing process is it a group effort or is there one person that handles it?
 
 Musically it's a collaborative effort with all of us,lyrically I (Dean) usually handle it.
 

Who have been some of your biggest influences in music?
 
Personally,my influences are quite varied.Kiss,Sabbath,Deep Purple,Grand Funk,Van Halen, Tommy Bolin...I could go on forever.Collectively we listen to everything from the Deftones to Mahavishnu Orchestra to the Melvins to Zappa.

 
What do you see in the future for Gulch?
 

 We love what we do...if a label out there likes it cool.If not, that's fine as well.We will continue regardless.


Are there any plans to tour with this album?
 
Oh yeah definitely. It's just a matter of connecting the dots and getting the logistics straightened out to keep us from going bankrupt.
 
Anything you want to add before we wrap?
 

Thanks for the support and interest in Gulch.We don't take it for granted at all.Feel free to check us out at www.myspace.com/gulch and leave us some feedback.

Last Updated ( Wednesday, 30 November -1 01:00 )
 
Fetid Zombie PDF Print Email
Written by Sameerah   
Thursday, 06 August 2009 07:34

I've been a fan of Mark Riddick's art for years. His visceral images of zombies and all manner of abominations has always struck a chord with me. Reminding me of the album covers and posters I used to see in the tiny Metal record store on the way home from school. My fragile egg shell mind being warped and twisted vile monsters and rotting flesh. The art that made me fall in love with all things Metal all of those years ago. So when I got the chance to talk to Mark about his one man band Fetid Zombie, I jumped at the chance like the rabid fan girl that I am. If you've never heard the twisted music of Fetid Zombie, your missing out. TheEP, Abort the Messiah, sounds like a Priest's immortal soul being pulled apart by rabid festering hell hounds. The full length album promises to be just as brutal. Leaving me counting the days til it's release. 

 

 

You've been illustrating for the better part of 20 years now, do you find it difficult to keep up the intensity of your work after all of this time?

 

Yes, I do find it difficult to keep up with the intensity of requests and demands on my time in regard to my artwork. I’ve found that I must be more selective with the projects I accept because I have other commitments to attend to, such as my family and my day job as a graphic artist. As far as intensity in the subject matter of my work—no, I do not find this difficult to keep up with. I’m always searching for new concepts and ways to push my themes and skill level into new but related realms. An artist or creative individual never ceases to improve upon his or her work if it’s driven by passion.

 

Would you ever turn FETID ZOMBIE from a one-man project to a full band?

 

No, I don’t think so. Engaging in a solo effort allows me the convenience of writing and recording at my own leisure or when inspiration strikes. I just don’t have the time to coordinate rehearsals with other members or any such thing. I do however collaborate through e-mail with other musicians on occasion. For instance, my first full-length effort, “Pleasures of the Scalpel” featured the following guest musicians: Jim Malone (ARSIS), Matt Pike (UNBURIED), and Steve Miller (LOCULUS). My second full-length opus, “Vomiting in the Baptismal Pool,”—which will be published later this year—features guest spots by Steve Miller (LOCULUS), Kam Lee (DEATH, MASSACRE, BONE GNAWER), Mike Majewski (DEVOURMENT), Brian Forman (UNBURIED), and Don of the Dead (NUNSLAUGHTER.)

 

You tapped Daniel Desecrator for the new FETID ZOMBIE logo. Why did you decide to bring on another illustrator for the logo?

 

I absolutely love Daniel’s organic illustration style! He is one of my favorite illustrators and I completely trusted his vision for the new FETID ZOMBIE logo. I’m very satisfied with his incredible efforts.

 

For a short EP, Abort the Messiah is some super intense shit, how will Vomiting in the Baptismal Pool expand on “…Messiah's” intensity?


Thanks so much for your kind words on my EP. “Vomiting in the Baptismal Pool” picks up exactly where “Abort the Messiah” left off. You can expect a medley of brutal semi-technical death metal coupled with blackened thrash metal assaults. The biggest difference you will hear is in the production and the replacement of the drum machine with a human drummer, courtesy of BrianForman of UNBURIED.

 

Ride the Goat to Jerusalem is a great song, but I have to wonder if the song was written to be as tongue and cheek as it plays?

 

I’m pleased to hear you enjoyed the track; it’s really not meant to be as tongue and cheek as it appears. It’s simply a vicious criticism of the holiest land where ironically violence and negativity never ceases to exist.  

 
Are there any plans to tour as Fetid Zombie?

 

Never, I’m not particularly fond of playing live nor would I ever have time for such an endeavor.

 

The zombie uprising is upon us and you've just found out Jesus is the leader of the undead horde. How would you take him and his band of undead Evangelicals out?

 

Crucify them all.

 

Assuming that youre able to handle the zombies and take out Jesus, what would your plans for mankind be?

 

Democracy—it’s not perfect and it never will be but it seems to function relatively well in most parts of the world. I’m certainly a proponent of free speech and thought; even though I might be intolerant of the mindsets and beliefs of others I still recognize the importance of self expression.

 

Anything you want to add before we wrap?

 

Thank you very much for your time and support! All the best with your online publication!

 

 

 

 

Last Updated ( Wednesday, 30 November -1 01:00 )
 
Gamorah PDF Print Email
Written by Sameerah   
Saturday, 13 June 2009 07:04
After what seems like weeks of dealing with the mundane bullshit that is being a semi responsible adult. It feels good to once have my head buried in the plague and pestilence that is Metal. So I have decided to kick things off right with Gomarh's new album By the Means of Violence. The title tells you all there is to know about this band. Gomarh is a band that is rocks your shit by any means and they aren't above breaking some heads to do it. What you have in front of you now is just a small glimpse of the  beautiful chaos that is Gamorah.
 
 
You just finished shooting the video for Excrement. How was working with Scott Hansen? When will we be able to see the video?

 

Working with Scott Hansen was a dream come true. He's a really awesome dude and he's local to us, Va Beach. After seeing some of his videos we knew it was the perfect match for us. He was able to do exactly what we wanted and wrapped his head around everything we had imagined for the video. The video will be ready in about a week or so. Until then you can check out the trailer for it on ourmyspace page.

Not long ago you started the hunt for a new bass player. How has the search been going? Who has been playing bass for the live shows?

 

We live in a town where musicians, let alone bass players, are few and far between. We've had a few people try out with no success so far. However we do have someone in mind who will be starting to jam with us very soon. As far as live shows go we have been sticking to a four piece so it doesn't take away from the chemistry we've developed over the years.

Your music blends some of the best aspects of American Hardcore with the best of what Extreme Metal scene in Europe has to offer. Who are some of you biggest musicalinfluences?
 
Jacob: Vocally and lyrically Randy Blythe from our home state's Lamb of God is someone I look up to tremendously. Also as a kid I attribute Cory Taylor from Slipknot and Chino Moreno of theDeftones for making me want to be a vocalist in a metal band.

 
Chris: I completely idolized Kirk Hammett as a kid growing up. Now a days I like alot of the stuff Between the Buried and Me, All Shall Perish, and Black Dahlia Murder do and I feel we have a similar idea of what Metal is.
Patches: Growing up as a kid I was definitely influenced by the unique playing of Eddie Van Halen and that's where I started wanting to play guitar. Now I feel I draw quite a bit of influence from Black Dahlia Murder, After the Burial.

 
Shawn: As a kid I grew up listening to alot of Classic Rock like Led Zeppelin (John Bonham), Jimi Hendrix (Mitch Mitchell) and that's where I really started wanting to play drums. Then after the grunge era I was introduced to At the Gates, Cannibal Corpse, Nile, and lots of other Death Metal. Of course I drawalot of my emotional influence from Hatebreed as far as the hardcore side goes. However I draw influences from alot of drumming greats like Billy Cobham , John Blackwell Jr., Dennis Chambers, and Jojo Mayer. Those are guys that don't even play metal but they're just such amazing musicians and percussionists.

Since the release of By Means of Violence you've been able to share the stage with some pretty awesome bands, who have been some of your favorite bands to play with?

 

Definitely Suicide Silence was one of the coolest shows we've ever played. We got to play this huge festival that was The Cleansing Cd release show, which also included Elysia, Despised Icon, Winds of Plague, See You Next Tuesday, just to name a few. After we got done with our set we ran into the guys and "hung out" in their van for like 2 hours and they were cool ass dudes. We've also been fortunate enough to share the stage with Unearth, Bury Your Dead, andOceano. Oceano actually took showers at one of our houses, cool ass dudes too.
By Means of Violence was released by the digital label Metelhit.com, do you think working with a digital label provides more freedom to the artist than a traditional label?

 

A digital label definitely allows more freedom with all the choices you make but we see it more as having a friend with some connections who can help us out with some of the finances that come along with being in a band. And as we all know theInternet market is definitely growing. However our dream of being on a traditional label with the opportunity to tour the world is still not out of the question. However now the Digital deal with Metalhit.com has definitely provided us with great promotion including an ad on lambgoat.com and has allowed us to reach an audience we wouldn't normally have been able to grasp.

Whats your idea of the perfect crime and how would pull it off?

 

We bought the bullets for Kennedy's assassination, we gave Elvis the pills and bacon, we sawed off the barrel to Courtney Love's shotgun,and we started this East Coast West Coast battle, oh yeah where is Jimmy Hoffa?

The cover art for the album is brilliantly gruesome. Who designed the cover?

 

Mike Riddick, the owner of our favorite digital label Metalhit.com, actually designed the artwork. We tweaked on the idea just a little bit by adding the heart and the blood and what not. His brother MarkRiddick, acclaimed underground artist, did the sick ass logo u see on that shit.

Is there a follow up album in the works?

 

Why yes there is, we are currently writing new material as we speak and have already completed a few of the new tracks. But our main concern now is more shows and touring to promote this album(By the Means of Violence). However we will probably be debuting a demo or two in the next 6 to 8 months of some of the new album's material.

You guys seem to be on the road constantly, any chance of your getting back out to the West Coast anytime soon?

 

As of now the idea has never been too far from our thoughts however we don't have the resources and finances to support this kind of a trip. However when this new video comes out, who knows? All of that might change.

Anything you want to add before we wrap?

 

Yeah, thanks so much for this interview first off. And everybody go to www.myspace.com/gomorahmetal to listen to some music, look at pics, check out merch (new merch coming soon!!), or drop by and say what's up to us. And last but not least, GET US FAMOUS!!
Last Updated ( Wednesday, 30 November -1 01:00 )
 
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